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The Name of the Game

If there is anything that puts me off about the process of writing, it is the part where I have to figure out what to name the characters in my short story or novel. Short of pulling names out of a hat, I do everything humanly possible to come up with interesting names. Names that reflect the personalities and quirks of my characters.

I think it is important for the main protagonists in your manuscript to have names. I’m talking about the characters that drive the narrative and contribute towards the progress of the plot. The reader should be able to connect with them from the first instance and a memorable name helps build that connection. Look at it this way, don’t you remember people you meet who have interesting, even unusual names? It is the same with the person reading your work.

I do not believe that all characters, especially the insignificant ones, need a name. Too many names can lead to unnecessary clutter and readers may get distracted. In a pacey crime novel for instance, a reader might get confused with too many names. In short stories, characters don’t necessarily need names. Ernest Hemingway didn’t believe in giving all his characters names. You must read A Clean Well-Lighted Place to understand what I mean. The latter is one of his finest short stories.

When I was writing Mr Eashwar’s Daughter, naming the characters was a huge challenge. Since my book was a modern retelling of Jane Austen’s Persuasion, I wanted the names to have some similarity to the characters in the original novel. So Anne Elliot became Anamika “Anna” Eashwar and Commander Frederick Wentworth was Farrokh “Freddy” Wadhera. But I didn’t name the characters on a whim. Farrokh’s parents were music enthusiasts and they named him after Freddy Mercury while the Eashwars were landed gentry and Eashwar was a title they adopted.

A few rules that I follow. You might find them helpful.

Do your research well: It is always a good idea to research the period you are writing about or even the region or country and then name your characters accordingly. Inaccuracies stick out like a sore thumb and readers’ can always tell.

Unusual & interesting: I like names that have an interesting ring to them, quirky names even. Or names that reflect the personality of the character I am writing about. Mrinalini from Dragon Aunty Returns! was a staid, prudish Bengali girl and I thought that name would be perfect for her. No offense to anyone I hope, living or dead.

Does it sound good? That’s the question you must always ask at the end of the day. Does the name have a pleasant or unpleasant ring to it? (depending on your character’s traits) Would you give your own child the same name? Your book is your baby, isn’t it? Give it the same importance then.

A word of advice: do not name your characters after your friends, relatives or lovers. It is never a good idea unless they ask you to do it or you get their permission in advance. Make sure you get it in writing so that they can’t take you to court later. Just kidding. Store the note safely somewhere though!

Click here to find out how authors named their famous characters.

Retelling Jane Austen

 

I read Pride and Prejudice when I was eight years old. Along with Les Misérables, Mill on the Floss and Lorna Doone. My father had just died and a generous friend of my sister’s had loaned me a collection of her books and comics to help me deal with the pain of losing a parent. It was an abridged version of Austen’s classic, dog-eared with big lettering and black and white sketches.

I loved it.

I was always slightly precocious for my age, the youngest of three siblings, and the story of a mother trying to get her three daughters hitched to wealthy husbands appealed to me. I was hooked. I devoured all the books in the pile. As I grew older, I read the unabridged versions one by one. The pleasure I got from reading them was undiminished.

Austen’s novels take a humorous look at society and life in the late 1700s. There is irony and realism in her plots, characters and the worlds that they inhabit. So much so that if you transport any character to the current world that we live in, they would fit in quite well and you would relate to their predicament. Women, marriage, dysfunctional families, money problems, greed, pride and the biases that all of us hide. These are things we come across daily, don’t we?

The reason Austen’s appeal has stretched across centuries.

Imagine my delight when my publisher Juggernaut Books commissioned me to retell one of Austen’s classic novels last year. Persuasion is the last novel fully completed by Jane Austen and was published at the end of 1817, six months after her death. The novel follows the life of Anne Eliot and her ex-fiancé Commander Frederick Wentworth.

It took me three months to write the novel. While there have been many retellings of this particular tale, I didn’t read a single one of them. I wanted to stay true to Austen and write the story in my own way keeping the modern milieu as a backdrop. My novel takes readers to North Bengal (Siliguri & Jalpaiguri), Kolkata, Gurgaon, Dharamsala and Mcleodganj – towns and cities which are special to me. There’s music, tea, doomed relationships, quirky parents and second chances. Not just that, the protagonist is named after legendary singer Freddy Mercury. In my novel, Commander Frederick Wentworth is reborn as Farrokh “Freddy” Wadhera.

Mr Eashwar’s Daughter is available on Juggernaut Books. You can buy the book here.

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